Voices of Texas is a series of exclusive conversations with the people who make the Lone Star State what it is, discussing the important topics of today and looking toward the future.

AUSTIN, Texas — One of the great voices of the Austin music scene, Ray Benson is a founding member of the seminal Country Swing outfit Asleep at the Wheel, and, among other bona fides, a close, personal friend of Willie Nelson. He’s also an actor and voiceover artist with one of the most recognizable speaking voices in all of Texas. 

Ray was diagnosed with COVID-19  in March, but he is well on his way to a full recovery. Spectrum News caught up with him at his home to talk about that health scare, his Texas history, and his vision for the future.

A lot of people think you’re from Texas, but you’re originally from Pennsylvania. What brought you here?

“What brought me to Austin, Texas, was Willie Nelson, Doug Sahm, and the kind of music that I played and Eddie Wilson from the Armadillo World Headquarters, and was quite a triumph for it. Met Willie, we got a record deal out in California, and we’re living in Oakland, California, and we played the Armadillo, put out a record end of 1972. Willie came down to see us in Dallas, to see us in early ‘73, by the end of ‘73 we moved here.”

What’s changed in the music industry for you? You’ve been steadfast, Willie’s been steadfast. Unfortunately, Doug’s not around but his music lives on in the legacy.

“When I came to Texas, Asleep at the Wheel was—it was quite a split in the culture. You had hippies and you had rednecks. Hippies played rock and roll, rednecks played country music and all of a sudden there was a bunch of hippies, Asleep at the Wheel, that played country music… The first gig we played in San Antonio was at the Farmer’s Daughter, and the Farmer’s Daughter was a “redneck dance hall” with a big picture of Bob Wills behind the stage and you know the same game was at the Armadillo World Headquarters, so we were the only band that could do that. And I think that’s why Texas embraced us.”

By the time you start playing Bob Wills music, a lot of people forgot about his history. What was it about Bob Wills that made you want to play his style of groove?

“We loved country music, but I grew up playing jazz, swing, blues, rock and roll, everything and Western Swing seemed to give me the opportunity to do all of the above. And I love fiddle music… as a kid I played in square dance bands with Yankee Fiddlers. They were wonderful men you know from Maine and Vermont and everything. But Fiddling is an American tradition, I think it’s the most American tradition in music and it goes back to our founding. They all brought their fiddles over because it was easy to carry a guitar and a fiddle as opposed to a piano and a brass band, although there are plenty of brass bands too.

That’s how it all started out and, it was an amalgam of swing music, blues music, country music, fiddle music and I just fell in love with it. We also wanted to prove that our baby boomer generation of “hippies” could play country music. So 1975, I had a top 10 Country record me and Leroy wrote called “The Letter that Johnnie Walker Read.” They thought I was Porter Wagner and Chris was Dolly Parton and it was that kind of record, and that really threw a wrench in because they went ‘huh’. And that’s what we wanted. And that’s when we didn’t get really serious as Bob Wills tribute kind of Western Swing… until the 90s. We had big Country Western hits you know and different rockabilly music…everything. We just explored American roots music.”

What’s it like for you take that legacy and just, I mean, it’s an explosion of sound that continues to reverberate and travel the globe?